The review examines Stefania Gerevini’s Facing Crisis: Art as Politics in Fourteenth-Century Venice, highlighting its reinterpretation of the artistic renewal of San Marco under Doge Andrea Dandolo as a coordinated political and institutional intervention. It discusses the book’s methodological rethinking of “crisis” and its integration of visual, archival, constitutional, and historiographical analysis, emphasizing its contribution to the study of art, political thought, and state formation in late medieval Venice.

Facing Crisis: Art ad Policts in Fourtheenth-Century Venice. Review by Elisa Sala

elisa sala
2026-01-01

Abstract

The review examines Stefania Gerevini’s Facing Crisis: Art as Politics in Fourteenth-Century Venice, highlighting its reinterpretation of the artistic renewal of San Marco under Doge Andrea Dandolo as a coordinated political and institutional intervention. It discusses the book’s methodological rethinking of “crisis” and its integration of visual, archival, constitutional, and historiographical analysis, emphasizing its contribution to the study of art, political thought, and state formation in late medieval Venice.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11379/652065
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