The landscape in Val Camonica, one of the biggest in the Alps, is a paradigm for its extensive environmental, natural, and cultural heritage. Shaped by glaciers, it has provided slates of sandstone and schist to communities that for thousands of years have used them as blackboards on which to leave graphic, geometric, and symbolic stories. Aspects of representation such as perception and drawing are therefore crucial when examining a complex landscape extensively marked by Venturi’s Phenomenon of “Both-And”, where elements can be interpreted in many ways at the same time: signs and symbols with similar geometric matrixes were in fact reproposed later by several civilisations; up to the twentieth century they were also used to decorate architectural elements and numerous everyday objects. This study will use drawing and surveying to examine in-depth the “inside and outside” relationships of the rupestrian graffiti on the big, smooth sandstone rocks along either side of the central area of Val Camonica. The study method is based on the gathering of data and examples; it will include bibliographical and photographic research as well as the survey and representation of several significant scenarios that will be analysed and catalogued according to type and based on their geometric genesis

Drawing and complex landscape. “Both-And” & “Inside-Outside” in Val Camonica

Ivana Passamani
2021-01-01

Abstract

The landscape in Val Camonica, one of the biggest in the Alps, is a paradigm for its extensive environmental, natural, and cultural heritage. Shaped by glaciers, it has provided slates of sandstone and schist to communities that for thousands of years have used them as blackboards on which to leave graphic, geometric, and symbolic stories. Aspects of representation such as perception and drawing are therefore crucial when examining a complex landscape extensively marked by Venturi’s Phenomenon of “Both-And”, where elements can be interpreted in many ways at the same time: signs and symbols with similar geometric matrixes were in fact reproposed later by several civilisations; up to the twentieth century they were also used to decorate architectural elements and numerous everyday objects. This study will use drawing and surveying to examine in-depth the “inside and outside” relationships of the rupestrian graffiti on the big, smooth sandstone rocks along either side of the central area of Val Camonica. The study method is based on the gathering of data and examples; it will include bibliographical and photographic research as well as the survey and representation of several significant scenarios that will be analysed and catalogued according to type and based on their geometric genesis
2021
Altra università italiana
DIGITAL DRAW CONNECTIONS. REPRESENTING COMPLEXITY AND CONTRADICTION IN LANDSCAPE
Bianconi Fabio, Filippucci Marco (Eds)
SH5_11 Cultural heritage, cultural memory
SH5_9 History of art and history of architecture
SH5_7 Museums and exhibitions
Esperti anonimi
Inglese
Internazionale
STAMPA
107
737
768
32
978-3-030-59742-9
Springer
Cham
SWAZILAND
The Lecture Notes in Civil Engineering Book Series is submitted for indexation in Scopus and the ISI Web of Science. Both the official release and Indexation dates are solely dependent on the publisher, Springer.
landscape, perception, observation, drawing from life, survey, rupestrian drawing, symbol, geometry, circle, knowledge
Altre fonti
https://www.springer.com/gp/book/9783030597429
no
Goal 4: Quality education
2 Contributo in Volume::2.1 Contributo in volume (Capitolo o Saggio)
2
268
reserved
Chiavoni, Emanuela; Passamani, Ivana
info:eu-repo/semantics/bookPart
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11379/535949
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